The sand in the hourglass runs from one compartment to the other, marking the passage of moments with something constant and tangible.If you watch the flowing sand, you might see time itself riding the granules.Contrary to popular opinion, time is not an old white-haired man, but a laughing child.And time sings.

Freedom is not a license to act but a license to exercise free choices in any given situation.

Here is where I like to burst in as a writer, to take one strong sensory detail or image and instead of enhancing it or directing attention to it by shouting about it, I simply take it away.

Frost grows on the window glass, forming whorl patterns of lovely translucent geometry. Breathe on the glass, and you give frost more ammunition. Now it can build castles and cities and whole ice continents with your breath’s vapor. In a few blinks you can almost see the winter fairies moving in . . . But first, you hear the crackle of their wings.

Q: Why do I love thee, O Night? A: Because you know I will never answer.

I relished the sweet sense of keeping a unique secret in my mind - a wonderful magical universe that I could go to any time, any place, and no one had to know. It was my personal place, better than any I've read about in any other book. And when I wrote, I was in the process of pulling that personal universe out of nothing and into the cold reality of the greater world.

I've always been creative verbally, had a flair, my teachers said - wrote great expository essays in elementary school, scribbled little poems, embraced all writing assignments. And all along I read voraciously - first in Russian and then, after we left the USSR, in English, and even Spanish.