He pushes his hair, soaked from the snow, out of his eyes. "So what are we going to do, break a window? Look for a back door?" "I'm just going to walk in," I say. "I'm her son." "You also betrayed her and left the city when she forbade anyone from doing that," he says, "and she sent people after you to stop you. People with guns." "You can stay here if you want," I say. "Where the serum goes, I go," he says. "But if you get shot at, I'm going to grab it and run." "I don't expect anything more." He is a strange sort of person.

You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.

I am still the person who would have died rather than kill you

That is how it feels. Like everything between us is twisted together, friendship and love and family, so I cant tell the difference between any of them.

I have your back. I didn't mean only when it's easy. All the time.

She taught me all about real sacrifice. That it should be done from love, not misplace disgust for another person's genetics.

There are men with guns up there. When they see me, they will kill me, if they can," I tell my father quietly. I search his eyes. "Should I let them?" He stares at me for a few seconds. "Go," he says, "and God help you.