I can’t answer either question. But the look she gives me reminds me of the look in the attack dog’s eyes in the aptitude test – a vicious, predatory stare. She wants to rip me to pieces. I can’t lie down in submission now. I have become an attack dog too.

Relax Beatrice, I've driven a car before.' MARCUS 'I've done a lot of things before, but that doesn't mean I'm any good at them!' TRIS

Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just...want to see it again. Want to see you awake.

Eric called Al's suicide brave, and he was wrong. My mother's death was brave. I remember how calm she was, how determined. It isn't just brave that she died for me; it is brave that she did it without announcing it, without hesitation, and without appearing to consider another option.

I feel like someone is pressing me into a mold that does not fit my body, forcing me intothe wrong shape.

I cross my arms. "It was a two minute conversation." "I don't think a smaller time frame makes it less unwise." He furrows his eyebrows and touches the corner of my bruised eye with his fingertips. My head jerks back, but he doesn't take his hand away. Instead he sighs. "You know, if you could just learn to attack first, you might do better." "Attack first?" I say. "How will that help?" "You're fast. If you can get a few good hits in before they know what's going on, you could win." He shrugs, and his hand falls.

You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.