It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.

It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.

After you read the script, then you actually just have to be in the moment you're in, in order to make it believable. You can't give it away. You can't tip it off. For me, it's always about being truthful in the moment I'm in. Hopefully, being able to reveal what I'm feeling, you have to believe it.

When I first read the script a few years ago I thought it was one of the best written scripts I had ever read.

We, some cast members and I, even went on a weekend trip together and spent the weekend at an inn, because we enjoy each other's company so much, and it was so cool.

That's why, when Alias came along, I knew I'd be OK if the show was on for five or six years because the writing was so good and the creative team was so strong.

Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.