The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.

Joie est mon caractere, C'est la faute a Voltaire; Misere est mon trousseau C'est la faute a Rousseau. [Joy is my character, 'Tis the fault of Voltaire; Misery is my trousseau 'Tis the fault of Rousseau.] - Gavroche

This conflict between right and fact has endured since the origins of society. To bring the duel to an end, to consolidate the pure ideal with the human reality, to make the right peacefully interpenetrate the fact, and the fact the right, this is the work of the wise.

Superstitions, bigotries, hypocrisies, prejudices, these phantoms, phantoms though they be, cling to life; they have teeth and nails in their shadowy substance, and we must grapple with them individually and make war on them without truce; for it is one of humanity's inevitabilities to be condemned to eternal struggle with phantoms.

The truth of an upright man must be accepted on his own terms. Moreover, since natures vary, we must agree that all the beauties of human excellence may be fostered by faiths that we do not share.

When grace combines with wrinkles, it is admirable. There is an indescribable light of dawn about intensely happy old age. . . . The young person is handsome, but the old, superb.

There is but one way of refusing To-morrow, that is to die.