I'm really excited about the places I've gone and the places I'm going, internally and externally speaking, and working to bring different spectrums of curiosity to life.

I love the experience of walking into the theater, buying a ticket and all that goes with it.

Sci-Fi is incredibly challenging and has its own language. I have to speak its language; it's not going to learn mine.

For me, being on set is no different than being at a dinner table or riding the subway next to someone; inevitably their life story is always more compelling than most ads in magazines and most commercials and reality TV and all the stuff we're sold and told is valuable.

My aim is to reflect the actual human-scape, a little bit.

I'm an audience member first. My inspiration is still based on hunger. Often, when people try to tell me "nobody wants that story; I'm like bullshit because I want it."

The world wants to define me by my mammary glands and melanin. It is just fascinating that Michael Mann has never been asked what it is like to be a white male filmmaker.