For me, being on set is no different than being at a dinner table or riding the subway next to someone; inevitably their life story is always more compelling than most ads in magazines and most commercials and reality TV and all the stuff we're sold and told is valuable.

I'm really excited about the places I've gone and the places I'm going, internally and externally speaking, and working to bring different spectrums of curiosity to life.

My aim is to reflect the actual human-scape, a little bit.

Sci-Fi is incredibly challenging and has its own language. I have to speak its language; it's not going to learn mine.

The world wants to define me by my mammary glands and melanin. It is just fascinating that Michael Mann has never been asked what it is like to be a white male filmmaker.

I'm an audience member first. My inspiration is still based on hunger. Often, when people try to tell me "nobody wants that story; I'm like bullshit because I want it."

For me, being on set is no different than being at a dinner table or riding the subway next to someone; inevitably their life story is always more compelling than most ads in magazines and most commercials and reality TV and all the stuff we're sold and told is valuable.