Be kind. It's worthwhile to make an effort to learn about other people and figure out what you might have in common with them. If you allow yourself to be somewhat curious - and if you get into the habit of doing that - it's the first step to being open minded and realizing that your points of view aren't totally opposite.

With few exceptions, one ought always do what one is afraid of.

When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.

If you daren't enter the forest, or cannot find it, then perhaps you might find one tree, or a place where a tree could be, and just stop for a quiet moment to see what happens.

One of the most recent things we did [in Perceval Press] is a reissue of a fantastic documentary about Russian prison tattoo culture by Alix Lambert called The Mark of Cain. We've done books from Twilight of Empire, that actually has forewords by Howard Zinn and Dennis Kucinich and others, to books of poetry, photography, painting - all kinds of books.

'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.

You know, 'Viggo' is a pretty dorky name in Denmark. It's like 'Oswald' or something. It's a very old Scandinavian name, at least 1,000 years old.