What's so great about making television is that it's a collaborative beast. It's created by a great many hands belonging to a great many people.

[Making meth] is a complex process. The truth of it is that we live in a post-Google world where you can find six recipes for meth in 30 seconds on a search engine.

Whatever it takes to get you where you need to be, there's nothing wrong with the method acting or having to growl and bang your head in a corner and get into the moment and work yourself into a lather - if that's what it takes, so be it.

I want to believe there's a heaven. But I can't not believe there's a hell.

I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.

I'm not a big internet guy - not because I'm not interested in what people have to say, but probably because I'm too interested.

Having certain limits - not too many, but certain limits on an ability to tell a story - makes us work harder, me and my writers. Sometimes I watch a giant movie with a $250 million budget and I think they feel kind of bloated, and that if they'd been leaner and meaner they might've had better storytelling.