Education is the number one priority.
I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover.
Well, I think certain roles are chosen for us. The moment I read Pete Campbell I thought: I can do this, this is mine. And in Money, too. The truth is I turn down a lot of projects. If a character doesn't have some kind of internal struggle, it's no good for me.
I think television is always changing. It's always shifting.
I'm just an actor. Just a stupid actor.
You can't compare any job or any friendship or anything to another. I think if you do, it's kind of a recipe for disaster.