It's always the story that interests me.
I allow an area for improvisation because the chemical things actors bring to stories make it not work.
The Pirate is surrealism and so, in a curious way, is Father of the Bride.
I always liked the Van Gogh story because I was terribly involved in that.
No, I only like whether I like the story or not, essentially see something in it that isn't completely there.
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.