That's how I digest it, 'cause I can press the fast-forward button and I know that I'm gonna have to continue to be an actor, continue to make choices, continue to perform in a show every week.

I just hope this [Emmy] is now a part of the status quo that women of color are included in the narratives that continue to write lead roles for us.

Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.

My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.

I'm a sitting duck. No, seriously, I mean I wish I could say more, but I'm a sitting duck because I can't get ahead of them [cyber experts]. They're far ahead of me. That's what I learned: how vulnerable we are. It's a big, silent monster out there. That's what it feels like.

When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!

When a director can give you a word that allows you to feel less tense about yourself, to make you feel like you indeed are good enough before you even get to the work, you can't ask for anything more than that.