It's harder to play a quiet character because everything happens in their stream of consciousness. They're thinking and feeling the world, but they're saying very little, so then you have to communicate it through your behavior.

It's always hard to be private in public, which is what acting is because you have to do thing really emotionally naked.

I've always seen myself for who I am, which is a lot of things. So, I guess that when I walk into a room, I bring all those things to a role, and I've always just simply seen myself as an actor.

I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.

I think watching my mom gave me great inspiration, I wish that had been reinforced more verbally. It would have kept me from a lot of pain.

It's time for people to see us, people of colour, for what we really are: complicated.

Obviously, ["Fences"] is a character-driven piece in every sense of the word, and Denzel [Washington] knows the actor. He gave us two weeks of rehearsal. He is a truth teller, and he is a truth seer. So he knows when something is not going in the right direction, and he will call you on it. But, he knows the word to use to unlock whatever is blocking you. So I think he's fabulous and he's a teacher.