My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.

I've been to acting school and I think that at the end of the day, when you just focus on the work and you're comfortable with who you are, that at some point someone's going to recognize your talent and give you an opportunity.

I've always just simply seen myself as an actor. And I believe that it serves me well to just think in terms of my craft. If hypothetically, I saw myself only as a sex symbol, or as some other limited stereotype, I think I would feel like a complete failure.

Creativity only resonates if you infuse real life into the work.

I think that enjoying the fruits of one's labor is very different than arrogance. And when I was younger, I didn't know the difference. I thought that if you were gracious, that meant that you somehow were getting ahead of yourself. And I felt self-deprecation kept you balanced.

It feels really good to embrace exactly who I am and be my sexy, to be my sexualized, to be my woman.

I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.