Viola Davis Quotes

You absolutely feel, as a black actress, that you've got to ride the wave because there's just so few roles. I hate to play that card, but it's the truth. There's not a lot of roles.

Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.

It's harder to work with people who are not as dedicated to their craft. It also leaves you a better actor when you finish the project, since you always feel like you've learned something.

It's always hard to be private in public, which is what acting is because you have to do thing really emotionally naked.

I've done a really bad job with teaching daughter to put on makeup, but I have taught her how to put on lipstick.

I think sometimes you have to see a physical manifestation of your dream. Otherwise you have to hope, pray and try to conjure something in your mind to feel like it's possible.

I also tried to leave myself alone enough to be surprised by the news. That's when it had its potency. If I approach everything with joy and hope and love, which is what we all do. Every day we get up we're hoping that today is going to be the day that's going to get you over the hump. I tried to do that as much as I could. So then when all the news happens you see what she is made out of.

I love young adult fantasies. While I say that, I have not seen all of the Twilight and Harry Potter movies. But I've read all of the books, and I love them. I love them because I enjoy being transported to a different world and having my imagination challenged. That's a huge part of what we do as actors. We have to imagine ourselves in a different world. And when you are in a young adult fantasy, it challenges you in the best way.

I really wanted to show [in "fences"] a marriage that is working. Not perfect, but working.

I've always seen myself for who I am, which is a lot of things.

You can't be hesitant about who you are.

I think at the end of the day she [Rose from "Fences"] is a strong woman in the truest sense of the word. I think all of that is in the narrative; it's already there. The hope is there; the playfulness is there; it's there. I wish I could take credit for it, but it's there.

I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.

That's why there's so much bad acting out there, because you could see actors watching themselves.

If you're a boxer, you want to get the ring with a Mike Tyson or Muhammad Ali type. When you're acting, you want to get in with Meryl Streep, and that's what I did.

But the biggest beauty advice I've given my daughter is every morning I say, "Genesis, what are the two best parts of you?" And she says "my brain and my heart." And I say, "You've gotta remember that, Genesis. You've gotta remember that you're not what you look like," you know? I think that's the best beauty advice I could give her.

I can be busy for three years and you may not even know what I'm busy doing because you only see me in a few scenes here or there, but I've been working my tail off because there's just not a lot.

Acting, it's the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.

I guess they say, "Necessity is the mother of invention" because you have two stark choices when you find yourself in a really desperate situation. You can either fold and cave-in to it or you can become really passionate about getting out of it.

I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.

I just hope this [Emmy] is now a part of the status quo that women of color are included in the narratives that continue to write lead roles for us.

The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.

We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.

The sentiment that I had a little trouble with was the idea that, "You change the school, you change the community." I couldn't wrap my mind around that.

There are all these awards that you've never heard of, and you get nominated, and suddenly you're at these awards shows, so you really don't care if you win. You really don't. You're going there, you're getting dressed up. And then you get to the awards show, and you sit down. You walk the red carpet. Everybody loves you. It's great. You sit down, and all of a sudden your category comes up, and you get nervous. And it's a complicated emotion, because it's not like you absolutely want to win, but then you don't want to lose.

And I sit in my jacuzzi with my script.

I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?

When you're really passionate, you're going to grab hold of every rope you see, and wrap them around your arms and legs to claw your way out. And that's the way I've felt in my life.

When a director can give you a word that allows you to feel less tense about yourself, to make you feel like you indeed are good enough before you even get to the work, you can't ask for anything more than that.

On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.

I think that's why August [Wilson] named her Rose [in "Fences"]; I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.

We as artists cannot be politicians. We as artists can only be truth-tellers.

I want to span different genres. I want to be able to transform. I want to be able to be sexy, and funny, and quirky, and all the other things that I am. And I feel that the best way that I can achieve that is by producing.

I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.

For me, that was a hard scene [in "Fences"] to do twenty-something times, which (laughing), I counted. That was difficult, but once I did it, I felt like I could do anything.

Obviously, ["Fences"] is a character-driven piece in every sense of the word, and Denzel [Washington] knows the actor. He gave us two weeks of rehearsal. He is a truth teller, and he is a truth seer. So he knows when something is not going in the right direction, and he will call you on it. But, he knows the word to use to unlock whatever is blocking you. So I think he's fabulous and he's a teacher.

I want my work to reflect my level of gifts and talent

I haven't seen most of what I've done. I can't even list them. Most television jobs. I haven't seen a lot.

I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.

It's not anything that is just perpetuated by White America or just perpetuated by Black America. It's just a cultural understanding that you're just not a part of the equation when it comes to sexuality and I think that people mistake your lack of opportunity with the level of your talent.

Each role has its own different challenges.

I have a lot of spiritual books that I read that I really, really love - everything from the Bible to Joseph Campbell, who I love. He wrote The Hero of a Thousand Faces. It's about exploring what is heroic in you. It helps me a lot.

I started a production company out of necessity, the need for great narratives for actors of color.

I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.

I have been given a lot of roles that are downtrodden, mammy-ish.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.

I'm a sitting duck. No, seriously, I mean I wish I could say more, but I'm a sitting duck because I can't get ahead of them [cyber experts]. They're far ahead of me. That's what I learned: how vulnerable we are. It's a big, silent monster out there. That's what it feels like.

Now, a lot of people may be surprised at that, but I'm very dedicated to working out. Usually, it's running. It clears my mind, totally. I get on the treadmill, which I just bought, and I run on that for about 40-45 minutes.