I just hope this [Emmy] is now a part of the status quo that women of color are included in the narratives that continue to write lead roles for us.

Even when I get the fried-chicken special of the day, I have to dig into it like it's filet mignon.

But along with all of that it was, "Oh, isn't he a great storyteller? Oh, it's that why I married him? Isn't he handsome? Oh, what am I going to make for dinner today?" I put all of that as a part of [Roses's from "Fences"] inner everyday monologue so, by the time he tells he that news and all of that I feel that it's there already.

Tyler Perry's 'Madea Goes to Jail!' Which, I have to tell you, of everything that I've ever done in my career, that's the only thing that's perked up the ears of my nieces and nephews. That is it, that's done it for them. That made me a bona fide star in their eyes!

Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.

I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.

When I go home, I am a slug. I want to do everything completely opposite of what I do on the red carpet. I like to take off all my makeup, put on a t-shirt, be completely unassuming and just do stuff with my husband and my daughter.