Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

For the young people could not talk. And why should they? Shout, embrace, swing, be up at dawn.

I am tied down with single words. But you wander off; you slip away; you rise up higher, with words and words in phrases.

He smiled the most exquisite smile, veiled by memory, tinged by dreams.

Oh and I thought, as i was dressing, how interesting it would be to describe the approach of age, and the gradual coming of death. As people describe love. To note every symptom of failure: but why failure? To treat age as an experience that is different from the others; and to detect every one of the gradual stages towards death which is a tremendous experience, an not as unconscious, at least in its approaches, as death is.

I remember I would not stand still; I would not stop being perplexed by everything that spontaneously attracted me or caught my attention. I would never cease to look around me and observe myself in relation to nature: either crystal clear skies and sun-melting afternoons, or foggy winter days and weirdly tinted nights. I would never cease to dream and stand by the window, ready to let the diversity of life pass freely through my skin; courageous enough to believe I stood a chance in devouring each shade of sensation. Or perhaps, immensely foolish to plainly - believe at all.

This self now as I leant over the gate looking down over fields rolling in waves of colour beneath me made no answer. He threw up no opposition. He attempted no phrase. His fist did not form. I waited. I listened. Nothing came, nothing. I cried then with a sudden conviction of complete desertion. Now there is nothing. No fin breaks the waste of this immeasurable sea. Life has destroyed me. No echo comes when I speak, no varied words. This is more truly death than the death of friends, than the death of youth.