I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
Vito AcconciWriting was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It's almost as if I made the labor part of writing.
Vito AcconciThe great thing about the Guggenheim is that you can see art in the fastest way if you want to. Which isn't bad. It's almost like Frank Lloyd Wright didn't know something called the Internet was going to exist, so he made it so you can go down as fast as possible.
Vito AcconciYes, the fear of its blankness. At the same time, I kind of loved it. Mallarmรฉ was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
Vito AcconciIt was an incredible way to grow up, because words that you're taught - these definite things - you realize they sort of beautifully fall apart; that words are tenuous. In the middle of a large word, there's a small word that possibly contradicts the larger word. So I grew up where, on the one hand, the only thing I would ever think of doing was something in writing, music, or art, and on the other hand, I could've reacted strongly against it because it would've been a way to rebel.
Vito Acconci