Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.

I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: "Can girls have deep voices?" There was a pause and then the group responded, "Yes!"

When I do book readings, I always incorporate music or singing.

Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.

As a general rule, I tend to collaborate with artists whose work I admire.

I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.

I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?