I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.

I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.

I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.

It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.

Art can sometimes be separate from the artist.

In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of "multiculturalism."

As a brown artist, I have mixed feelings about my relationship to art and my "responsibilities" post-Trump.