I was never an activist, in the sense that I didn't really join a lot of organizations. I wasn't out in the streets. But what I did become was a writer. My activism was in writing.

I don't know if memoirs can produce literary work of the first order. But I do know that novels are doing it only rarely.

Women occupy, in great masses, the 'household tasks' of industry. They are nurses but not doctors, secretaries but not executives, researchers but not writers, workers but not managers, bookkeepers but not promoters.

It seems that fiction no longer produces work that makes one feel the human condition deeply.

Every work [of literature] has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say

How dominating is appetite, how enveloping immediate experience! Even the philosophically minded among us capitulate, ultimately, to the narrowest sense of personal need. Political time moves at a snail's pace because it is only with nearly insurmountable difficulty that moral discomfort takes root in the best of people, forcing an imperative out of a complaint; so viscerally repugnant is it for a critical mass to find the prevailing system unbearable, much less prepare to take up arms against it.

... the whole sickening trickery in life -- the idea that one cannot fight for one's humanity without, ironically, losing it ... that trickery is the real enemy and the very essence of the thing we must continually be on our guard against.