What you feel when you're writing is the relief of thinking: if you write the sentence correctly, you're clarifying. If you write the right sentence, nothing feels as good.

The difference between me in my work and the me who is here in front of you is that on the page I create a consistency, a voice that must sound really reliable; whereas in person I am free - obviously! - to sound every which way.

I may cause someone to feel badly, not because I'm doing something to them, but because the way in which I see might cause pain. But I am not doing the hurting.

Adorable in her not-very-bright submissiveness, charming in her childlike delight in shiny floors, even forgivable in her spiteful competition for the whitest, brightest wash, Madison Avenue's girl-next door is all the American male could wish for: unless, by some miscarriage, he should fancy human companionship.

A people who have only just begun to emerge from a state of subjugation are in no position to be even-handed ... and it takes much patience and understanding and good will on the part of the strong ones both in the subjugated group and in the group holding the power to provide an atmosphere of stability in which the frightened bravado on both sides of the fence can dissipate itself without increasing the chaos that is already intrinsic in the situation.

I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.

When I work I feel more alive than under any other circumstances. There's not an 'I love you' in the world that can match it. I feel safe, excited, at peace, erotic, centered. Nothing can touch me.