When the whole world is writing letters, it's easy to lap into the quiet within, tell the story of an hour, keep alive the narrating inner life. To be alone in the presence of one's thought is not a value, only a common practice.

Every work [of literature] has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say

Sex is the killer. Sexual love makes you feel more vulnerable than any other kind of love. That's one reason that people are so thorny and so vulnerable and so easily wounded when in love.

Emotional sympathies just dry up and die as we change, and they are as mysterious in friendship as in love. It's a relationship like any other.

Adorable in her not-very-bright submissiveness, charming in her childlike delight in shiny floors, even forgivable in her spiteful competition for the whitest, brightest wash, Madison Avenue's girl-next door is all the American male could wish for: unless, by some miscarriage, he should fancy human companionship.

for me, the beauty of feminism is that it is a social and political movement that has redefined the power and obligation of the self: self-possession and self-regulation as a tool for social reform.

The telephone conversation is, by its very nature, reactive, not reflective. Immediacy is its prime virtue. ... The letter, written in absorbed solitude, is an act of faith: it assumes the presence of humanity: world and self are generated from within: loneliness is courted, not feared. To write a letter is to be alone with my thoughts in the conjured presence of another person. I keep myself imaginative company. I occupy the empty room.