On I’ll pass, dragging my huge love behind me. On what feverish night, deliria-ridden, by what Goliaths was I begot – I, so big and by no one needed?

Listen! If stars are lit It means there is someone who needs it, It means someone wants them to be, That someone deems those specks of spit Magnificent!

Formerly I believed books were made like this: a poet came, lightly opened his lips, and the inspired fool burst into song – if you please! But it seems, before they can launch a song, poets must tramp for days with callused feet, and the sluggish fish of the imagination flounders softly in the slush of the heart. And while, with twittering rhymes, they boil a broth of loves and nightingales, the tongueless street merely writhes for lack of something to shout or say

Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely?

Past one o’clock. You must have gone to bed. The Milky Way streams silver through the night. I’m in no hurry; with lightning telegrams I have no cause to wake or trouble you. And, as they say, the incident is closed. Love’s boat has smashed against the daily grind. Now you and I are quits. Why bother then To balance mutual sorrows, pains, and hurts. Behold what quiet settles on the world. Night wraps the sky in tribute from the stars. In hours like these, one rises to address The ages, history, and all creation.

Art must not be concentrated in dead shrines called museums. lt must be spread everywhere – on the streets, in the trams, factories, workshops, and in the workers' homes.

In our language rhyme is a barrel. A barrel of dynamite. The line is a fuse. The line smoulders to the end and explodes; and the town is blown sky-high in a stanza.