Beauty plus pity-that is the closest we can get to a definition of art. Where there is beauty there is pity for the simple reason that beauty must die: beauty always dies, the manner dies with the matter, the world dies with the individual.

I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

It was an interesting thing to do. Why did I write any of my books, after all? For the sake of the pleasure, for the sake of the difficulty. I have no social purpose, no moral message; I've no general ideas to exploit, I just like composing riddles with elegant solutions.

It is nothing but a kind of a microcosmos of communism - all that psychiatry', rumbled Pnin ... 'Why not leave their private sorrow to people? Is sorrow not, one asks, the only thing in the world people really possess?

How small the cosmos (a kangaroo's pouch would hold it), how paltry and puny in comparison to human consciousness, to a single individual recollection, and its expression in words!

I know more than I can express in words, and the little I can express would not have been expressed, had I not known more.

And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.