a man who has decided upon self-destruction is far removed from mundane affairs, and to sit down and write his will would be, at that moment, an act just as absurd as winding up one’s watch, since together with the man, the whole world is destroyed; the last letter is instantly reduced to dust and, with it, all the postmen; and like smoke, vanishes the estate bequeathed to a nonexistent progeny.

Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.

Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.

At a very early stage of the novel's development I get this urge to collect bits of straw and fluff, and to eat pebbles. Nobody will ever discover how clearly a bird visualizes, or if it visualizes at all, the future nest and the eggs in it.

Only talent interests me in paintings and books. Not general ideas, but the individual contribution.

And the rest is rust and stardust.

I could also distinguish the glint of a special puddle (the one Krug had somehow perceived through the layer of his own life), an oblong puddle invariably acquiring the same form after every shower because of the constant spatulate shape of a depression in the ground. Possibly something of the kind may be said to occur in regard to the imprint we leave in the intimate texture of space. Twang. A good night for nothing.