When I read a script, I am already in the movie with my music, and I can dive into a world that I haven't seen before.

I am still happy to be close to the city, [to be] connected to the intellectual source in Ferndorf. In this area, [I feel] connected with nature and unimportant in a postitive way.

I think there is a big question in how much music a film needs - a lot of films are overloaded for my taste, so that the story can't carry its own weight.

I am a big fan of the Coen Brothers; I like their kind of absurd, dark approach.

I get a lot of emails where people are writing me their experiences, how they discovered my music, what they feel... they motivate me to carry on with what I am doing.

Memories were in my mind during nearly all the concerts I've done, and I realized the deep connection to my childhood, when I went out in the morning and the only thing my mom said was, "Come back before dark." What trust and what freedom!

In a way, I pick out the films that have a same attitude as music that I like.