I really like stories, so in a way it doesn't matter for me if they are real or fiction.

I think there is a big question in how much music a film needs - a lot of films are overloaded for my taste, so that the story can't carry its own weight.

When I'm walking with my father through the woods, and we reach a place where you see so far that your ego suddenly shrinks because you are so touched by the dimension of your surroundings.

I was bored to death and thinking more about the minibar and the after-show party than the performance.

When I read a script, I am already in the movie with my music, and I can dive into a world that I haven't seen before.

I am still happy to be close to the city, [to be] connected to the intellectual source in Ferndorf. In this area, [I feel] connected with nature and unimportant in a postitive way.

I can't say that electronic gear is restrictive. I think it is a challenge to play with electronic gear, and I regularly [perform] concerts with guys who are processing sound.