I really like stories, so in a way it doesn't matter for me if they are real or fiction.

The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.

I am still happy to be close to the city, [to be] connected to the intellectual source in Ferndorf. In this area, [I feel] connected with nature and unimportant in a postitive way.

I think there is a big question in how much music a film needs - a lot of films are overloaded for my taste, so that the story can't carry its own weight.

I always liked stories that carry on and have a different format from the normal music video.

My music is also one part of my inner process, and people also seem to connect with me on that - especially the ones who have the same questions for their own lives.

Even films without music are inspiring, as I think a good story is full of changes, different paces, and ideas.