When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.

That's the nature of my [stand-up] act: black man with a white baby.

I'm of the opinion that if you step on stage and you're not a straight white male, you're automatically making a political statement whether you know it or not.

The best version of comedy is when you can get to an issue where, at some point, you're not firmly on one side or the other, and you can see both sides. The more we become about the issues, the more successful we are.

Some things just strike me as funny. The way things play out just makes me laugh sometimes. It drives my wife crazy sometimes because I'll just be laughing for no reason.

I think the need to go on stage speaks to some sort of a profound psychological deficit, but something that happened when you were a kid. Or something your parents did.

It doesn't do any good to just be on the side of black people. The funnier comedic position is to be on the side of oppressed people in general.