It doesn't do any good to just be on the side of black people. The funnier comedic position is to be on the side of oppressed people in general.

When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.

There's an elitism that comes out with the entertainment industry. I'll talk about some shows, but I'm not gonna say that you're dumb for watching one over the other. I just let it go. I don't have to declare a fatwa on any of these things. I've gotten over some of my elitism.

We could do something set in the 21st century, where I travel around to lots of different places and we talk to different ethnicities and lots of different racial and religious minorities, so it's not just the black-and-white America; it hasn't been that since the '90s.

I feel like you can share as many jokes as you want to because no joke you do on Twitter is ever gonna be so big on Twitter, for the most part, that you can't say it on stage that same night.

Portland is often trumpeted as being one of America's coolest, hippest cities. I've been to Portland many times, and I'm always like, "Yeah it's cool and hip, but also, where are all the black people? Why is this city so cool and hip, and also keeping the black people away?"

What am I unbiased about? Let's see. I don't think about being unbiased, at all. With the entertainment industry, there was a point at which I felt like I had to be not only pro-myself but anti-others.