I'd most likely be a helicopter pilot, or I'd own a really cool surf hotel somewhere on a beach.

The more we can put the camera in a better place, the more we can take the audience on a more extreme journey with that character.

I'd most likely be a helicopter pilot, or I'd own a really cool surf hotel somewhere on a beach.

I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.

The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.

The last thing you want is an injured actor. That, or having to use a stuntman too much.

Not every actor is a Tom Cruise. They are not all used to doing big action movies and doing sliding bikes and cars and fights. So you've got to take actors who have maybe not done that kind of stuff and get them through some proper training first.