The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.

That's filming. You pitch up, give your all, and see what the outcome is.

I strive to be professional and to push myself always to do a better job.

I'm so critical, especially of the movies I do. If the movie flows and I buy it, that's important. Beyond it working, if I buy the character, especially if I'm close to the character.

The last thing you want is an injured actor. That, or having to use a stuntman too much.

Everything today is such a massive visual show. It's very rare to get a film where the characters are raw and real - and you can take people back to where they are watching live cinema. With character-driven action. Not visual-driven action.

I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.