To some extent I've always taken the architecture of the space into account.

When I was younger and was working as a Dia guard I would go to see everything. I went to every opening. I was really interested in seeing and learning as much as I could.

People will still make great art, but I think it's good to assume you will always be a failure. People were believing the opposite.

I don't know what it was like in the '80s. I don't really even know what it was like in the '90s, because I was broke and wasn't selling any art. I was in a few group shows, but I didn't have a gallery until 2006.

We are all frustrated with computers, all the time... But we also always develop a relationship with computers these days - something my parents never had... there%u2018s always a kind of negotiation, sometimes you are in tune with it and other times you are fighting with it.

My father is not around any more, so I cannot ask him to do my drawings for me. So, I had to find a different way. And I came up with the solution to use the printers then; I wasn't doing anything complicated. The nature of the printer is efficiency in itself and about working, being productive.

I've never seen a postcard of my work in a museum.