I'm always looking at the computer. I make all of my work on the computer at some point or another. Almost all of the paintings come from a file.

I don't really live the bohemian life. I come to work in Midtown everyday, along with all the work-a-day folk.

I don't know what it was like in the '80s. I don't really even know what it was like in the '90s, because I was broke and wasn't selling any art. I was in a few group shows, but I didn't have a gallery until 2006.

We are all frustrated with computers, all the time... But we also always develop a relationship with computers these days - something my parents never had... there%u2018s always a kind of negotiation, sometimes you are in tune with it and other times you are fighting with it.

I came late to galleries. A lot of people my age started their careers younger, so I was spared seeing that side for a long time.

My father is not around any more, so I cannot ask him to do my drawings for me. So, I had to find a different way. And I came up with the solution to use the printers then; I wasn't doing anything complicated. The nature of the printer is efficiency in itself and about working, being productive.

Well, art has to be sexy.