When I was younger and was working as a Dia guard I would go to see everything. I went to every opening. I was really interested in seeing and learning as much as I could.

I don't know what it was like in the '80s. I don't really even know what it was like in the '90s, because I was broke and wasn't selling any art. I was in a few group shows, but I didn't have a gallery until 2006.

We are all frustrated with computers, all the time... But we also always develop a relationship with computers these days - something my parents never had... there%u2018s always a kind of negotiation, sometimes you are in tune with it and other times you are fighting with it.

To some extent I've always taken the architecture of the space into account.

I was really naïve. I had no idea artists made money.

People will still make great art, but I think it's good to assume you will always be a failure. People were believing the opposite.

As I was walking down the stairs, I kept thinking that the room felt like a movie theater with all your attention on this wall, so it seemed like a big challenge.