I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.

I grew up in a very polite family, and I suppose my parents were both very polite, and from the time I was a young boy, I suspected that there were passions seething underneath and not being mentioned, and that was something that came to preoccupy me. Somehow I had some drive to write down what people might really be thinking.

I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.

We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.

I was making my living from a joke about my appearance that I didn't understand, and in a way still don't, because when I look in a mirror it doesn't seem funny to me.

Sleep: a poor substitute for caffeine!

I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.