By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.

A teacher enlarges people in all sorts of ways besides just his subject matter.

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.

Every green natural place we save saves a fragment of our sanity and gives us a little more hope that we have a future.

Young writers should be encouraged to write, and discouraged from thinking they are writers.

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed We need wilderness preserved — as much of it as is still left, and as many kinds — because it was the challenge against which our character as a people was formed We simply need that wild country available to us, even if we never do more than drive to its edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.

Have a chance to create a society to match its scenery.