The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.

All human knowledge takes the form of interpretation.

In every case the storyteller is a man who has counsel for his readers.

The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.

The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.

In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.

Books and harlots have their quarrels in public.