The gospel is fiction when judged by the empire, but the empire is fiction when judged by the gospel.

Compassion constitutes a radical form of criticism, for it announces that the hurt is to be taken seriously, that the hurt is not to be accepted as normal and natural, but is an abnormal and unacceptable condition for humanness.

People notice peacemakers because they dress funny. We know how the people who make war dress - in uniforms and medals, or in computers and clipboards, or in absoluteness, severity, greed, and cynicism. But the peacemaker is dressed in righteousness, justice, and faithfulness - dressed for the work that is to be done.

Imagination is a danger thus every totalitarian regime is frightened of the artist. It is the vocation of the prophet to keep alive the ministry of imagination to keep on conjouring and proposing alternative futures to the single one the king wants to urge as the only thinkable one.

Buechner uses words with such transformative power that any comment on them is like the moon palely reflecting the sun.

On the other hand, hope is subversive, for it limits the grandiose pretension of the present, daring to announce that the present to which we have all made commitments is now called into question.

While the Passover narrative [in Exodus] energizes Israel's imagination toward justice, Israel's hard work of implementation of that imaginative scenario was done at Mt. Sinai. . . . Moses' difficult work at Sinai is to transform the narrative vision of the Exodus into a sustainable social practice that has institutional staying-power, credibility, and authority.