Those who participate in [sabbath] break the anxiety cycle. They are invited to awareness that life does not consist in frantic production and consumption that reduces everyone else to threat and competition.

The church meets to imagine what our lives can be like if the gospel were true.

Imagination is a danger thus every totalitarian regime is frightened of the artist. It is the vocation of the prophet to keep alive the ministry of imagination to keep on conjouring and proposing alternative futures to the single one the king wants to urge as the only thinkable one.

While the Passover narrative [in Exodus] energizes Israel's imagination toward justice, Israel's hard work of implementation of that imaginative scenario was done at Mt. Sinai. . . . Moses' difficult work at Sinai is to transform the narrative vision of the Exodus into a sustainable social practice that has institutional staying-power, credibility, and authority.

Hope requires a very careful symbolization. It must not be expressed too fully in the present tense because hope one can touch and handle is not likely to retain its promissory call to a new future. Hope expressed only in the present tense will no doubt be coopted by the managers of this age

People notice peacemakers because they dress funny. We know how the people who make war dress - in uniforms and medals, or in computers and clipboards, or in absoluteness, severity, greed, and cynicism. But the peacemaker is dressed in righteousness, justice, and faithfulness - dressed for the work that is to be done.

Compassion constitutes a radical form of criticism, for it announces that the hurt is to be taken seriously, that the hurt is not to be accepted as normal and natural, but is an abnormal and unacceptable condition for humanness.