When people are still getting pleasure from something that you did 30 years ago, it makes you feel good. I always say it makes an old man happy.

There's a tricky tone where you try to get some humor into a movie that's also a tough tale of murder and revenge. You have to ice skate rather carefully between the humor and the action tension part of the drama.

I'm doing my best. I read in the paper that I'm an action director. They always say that, "Action director Walter Hill", if they bother writing about me at all. I think that's fine. I'm happy to do the work.

I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.

It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.

All producers encourage you, whatever it is, to make it more-so. If you've got a joke, can it be funnier? If you've got an action sequence, can it be more exciting? That's the nature of being a producer.

I tend not to look back. It's confusing.