Young people live exactly today... and they live in the immediacy of their world. And it's important for us, people from older generations to realize that a lot of our values, a lot of our truths are no longer truths, are no longer valuable.

My father always taught by telling stories about his experiences. His lessons were about morality and art and what insects and birds and human beings had in common. He told me what it meant to be a man and to be a Black man. He taught me about love and responsibility, about beauty, and how to make gumbo.

It was mid-November 2008. There were pirates taking ships with impunity in African waters, terrorists punching holes in Indian security, China sinking towards depression because Americans were afraid to buy cheap goods for Christmas, and the richest nation in the history of the world was talking about how to keep a budget.

I believe that a writer has to tell what they think is the truth in a human experience. The truth of the human experience cannot escape the political.

I understood about fear. And I knew better than anyone in that room what Mouse was capable of. But still I had been raised in a place where to show your fear was worse than cowardice. It was suicide, a sin.

Readers no longer need novelists to tell us what it's like to cross the world on a ship or fight a war. In the twenty-first century, we get that information in other ways. The thing that's still a mystery to us is the human heart. What we want is to understand people, what they're doing, and why they're doing it.

I think that it's important to try to keep reality. I think that Gabriel Garcia Marquez speaks a lot about reality in his magical realism. So I don't think we have to be hyper-realistic. But we have to understand the pressures that undergird the lives of the characters within that novel.