Art is not created in a vacuum. That experience is something to be shared with a group of people, and to be moved in that way.

I think Hollywood sees so many parts of America through a very narrow prism. The South is no exception. And those stereotypes, while sometimes true, are exaggerated for me to the point of boredom.

Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.

Tarantino and Jackson is like Scorsese and DeNiro, and their silent communication.

When you get the call from Quentin Tarantino, it's the call of a lifetime. You don't allow yourself to be vulnerable enough or to be fool enough to expect that phone call to happen, in reality.

'The Portrait of Dorian Grey' beautifully articulates how the altruistic part of ourselves clashes with our essentially narcissistic state.

T I was doing Predators, this new movie for FOX simultaneously, and this character that I play in the movie is "Walter Stands," and I had a plethora of ink all up and down my skin.Once you have ink on your body, how it informs you as an actor, and you kind of get in that space and occupy that space of that character, when you're without them, when I'm just Walton Goggins in the world and I'm without my tattoos, I feel a little naked.