You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.

Success in TV-showmaking is just a matter of being authentic and doing the best you can, and you hope that people watch it and like it. For us [showmakers], we know where our bread is buttered, and we live by the written word of the critic. That's how shows build a critical mass on cable.

I think I've made a career out of making despicable people likable.

Sadly, in this country - maybe this is in the history of the world, really - it's the urban experience versus the bucolic experience. And it is different, but therein lies the slow progression of democracy. We are a melting pot.

You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.

Maybe when you're alone or no one's looking, you dare to think, "Maybe someday I could get to work with somebody like Quentin Tarantino." For me, it happened. And it didn't just happen once, it's happened twice.

As an actor, you're afforded these experiences that are once-in-a-lifetime for so many people. More often than not, you can't tell the seasons based on the changing of the leaves, but on the experiences you've had.