If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.
Warren MacKenzieAlix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Mirรณ as opposed to my more static exploration of space.
Warren MacKenzieIf you take Lucie Rie and Hans Coper, their work didn't even relate to what we were trying to do, because they were moving in a different direction, both of them coming out of Europe and the Viennese school of design, which Lucie came from, and Coper learning from Lucie and then springing off on his own when she encouraged him to explore more widely. So he created his own work instead of just working for her and doing her forms. So that was a wonderful thing.
Warren MacKenzieHilda Reiss was the head of the Everyday Art Gallery. Hilda Reiss came from Germany, had trained at the original Bauhaus in Germany, and her training inspired her to think of anything that she liked as art.
Warren MacKenzieWe were more fortunate than most, because [Bernard] Leach had been in America on a lecture tour in 1950, and we made arrangements to travel from America back to England with him on the same boat. It was a very slow boat. I think it took us about seven days to cross the Atlantic.
Warren MacKenzieThat [silk-screen process experience] carried over when I returned from the Army and took more graphic classes at the Institute. And Alix [MacKenzie] and I actually began to produce a line of textiles, which had silk-screen patterns on them.
Warren MacKenzieI don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie, and aren't you happy to have me as a guest," you know? But artists did accept us and we remained friends for many, many years, many of them as long as they lived; like Lucie Rie and Hans Coper were very good friends, and it was wonderful.
Warren MacKenzie