I would say anybody who's willing to listen to Dark Side of the Moon and watch The Wizard of Oz is already a very sensitive, creative person.

The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.

All the great things that I get to be curious about, see, and experience because I'm sensitive to the world, it also opens up these areas where there's a lot of pain and suffering. You're just aware, aware, aware.

We hear so many records these days that are done with click tracks, as opposed to a drummer.

I want to be able to shoot laser beams out of my hands at people. That's the kind of stuff that you think all bands should do, but they don't, and I can't understand why most bands don't want to do it.

We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on... we just go on there is no mercy killing.

There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.