I want people to be ecstatic but to cry at the same time.

I'll accept the pain and the suffering, because I know that in that there's a lot of beauty, too.

There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.

Some people, they don't want to be that loved, they don't want to be that involved, they don't want to be part of your family. That's where the pain comes in. You want the world to be what you want it to be, and sometimes the world doesn't want that.

I want to know what you're thinking, you want to know what I'm thinking. But we're alone. In our own minds. We're trapped in this sort of isolation.

I do think there is a segment of people in Oklahoma that really do love the Flaming Lips and love this other idea of what someone from Oklahoma could be like. I've sort of become the spokesperson for this "other person" who could come from Oklahoma.

There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.