The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.

Making movie you just think, well, you know what you're gonna do, and you just when it comes down to the very specifics of it, you kind of have to rely on your mode of panic, and how well your imagination and creativity and all that works when you're in that moment. And you know, frankly, I never worried about that. I never worried that as we moved into the very specifics of it.

Love is the thing that you pursue because it's the thing that gives you all this life, or you believe that, anyway.

You can't really imagine every moment of a movie in the same way that you wouldn't expect a novelist to envision every sentence of his 800-page novel.

We are all really alone. We're isolated in our own mind.

Love is not a magic gravity that keeps everything up.

I want to know what you're thinking, you want to know what I'm thinking. But we're alone. In our own minds. We're trapped in this sort of isolation.