There is a lot of melody and things that sound familiar in hundreds of songs.

The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.

The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.

Sometimes you just have to say, “...I don't know what we are doing, let's just go and see what happens.” You have to embrace the experience itself, so that things you didn't intend to happen can make your work more authentic. And you have to hope that it works.

As you get older, you accept that there are some tunnels that don't have any light in them, but you go down them anyway.

We wouldn't be artists, writers, painters, musicians, if we weren't sensitive.

All the great things that I get to be curious about, see, and experience because I'm sensitive to the world, it also opens up these areas where there's a lot of pain and suffering. You're just aware, aware, aware.