I am now obsessed with the technology of the body. I think it's the most technologically literate thing that we have.

I listen to music all the time, and I just choose things I like, or things that I've not used before. Sometimes I work with music that's very difficult - that I don't even particularly like, per se, but that is really complex or interesting.

'Entity' is not about science. The process behind it may dictate the nature of the piece, but it's not like a dance about Einstein where I'm trying to convert his ideas into movement and communicate that to an audience.

Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.

My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio.

Choreography and creativity - it's my matrix; let's see where we can move.

I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.